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High noon is only for cowboys!
Timing is everything
when you're shooting and unless you're in an Old Western, you'll avoid
high noon...
But seriously, the time of day you take
your pictures can make a big difference in the results you get. For
photos at the beach or around water, the best time is
early morning or late afternoon. At these times the light is "warmer"
(more orange) adding a nice healthy glow to skin tones. (It's a
science thing...)
Mid-day sun can be harsh and
unflattering, but if you must shoot at noon, find a shady spot
under a tree, or maybe a porch or canopy. Those "lazy hired hands"
can stand to the side and hold a piece of white board or a white
pillowcase to reflect light back to your subject and fill in the hard
shadows. |
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Keep it Simple for Big Results
Clutter in the background
of your photos detracts from the main subject. Look for simple
backdrops, away from other people when possible (or move in close
to eliminate extra people). Watch out for things "growing out" of
your subject's head from the background - such as lampposts, telephone
poles, trees or branches. A backdrop of a brick wall, the side of a
barn, a sand dune or a big leafy bush can make interesting but calm
setting for well composed portraits.
If you don't have a clean background
try moving in close to fill your view finder with your subject,
leaving only a little of the background to give a flavor of where the
shot was taken. |
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Be Prepared At All Times
Time after time
the best shots of kids are taken when kids are doing what they do
best...being kids! With the compact size of today's
point-and-shoot cameras there's no excuse for leaving your
camera behind.
If you're off to the beach, a picnic or
rafting...keep your camera in a zip-lock style poly bag to help
protect it from water or sand damage or other hazards like pop spills,
dribbly ice cream, snowballs...
For best all around photo results, use
200 or 400 speed color print film to cover most situations and keep up
with those "quick! snap that!" magical moments. If you're not sure
which film to use (or have other questions), ask your photo lab
counter person for recommendations. |
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See Eye To Eye For Happy Endings
We all have
the tendency to "shoot from the hip" - this is: stand up, put the
camera to our eye and click. But all too often we miss the best
view, especially with scenic shots, because we didn't experiment.
Next time you're ready to shoot
consider kneeling, sitting or even lying down for a
better perspective.
For people shots avoid the tendency to
stand above your subjects (especially with children). Get on eye
level, even if it means crouching way down - it'll make the photo feel
more personal. Standing above your subject will make them
look less significant while shooting from below will make them look
more important. Try out both these effects but you'll find eye
level consistently works best. |
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Pick A Prop And Score Big Points
It's not unusual for
people to squirm when they're faced with a camera lens, so give them
something to do that makes them feel more comfortable. Just
having something to hold or pose with can make a big difference. On
the slopes, have you subjects hold their boards or skis. At the beach
give children a bucket and shovel or a big beach ball to show off.
You can have fun with props such as hats, ice cream cones, flowers,
whatever. The family pet usually doesn't mind getting into the album
too.
Remember, anything you can do to make
your subjects more relaxed will lead to more natural
photographs. And don't always demand a smile. A serious face
sometimes tells a better story...
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Actually It's Fill..Fill Flash To Be Precise
A trick used by professionals to
eliminate contrasty shadows on sunny days.
For instance, when strong sunlight is
directly above your subject you'll see dark shadows cast in the eye
area and under the nose, lips, chin, etc. When the sun is behind your
subject their whole face can be in shadow. Not very flattering. But
easily fixed...
Use the manual flash mode on
your camera to make the flash fire even in bright sunlight, and you'll
get rid of those distracting shadows. By staying ten feet or
closer to your subject your flash will be strong enough to
overcome or "fill" in those hi |
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Be Careful with That Expensive Camera!!!
There are places and events
to which you may not want to take your camera for fear of subjecting
it to harmful elements. Snow skiing, salt water locations, any water
(like the first 10 rows a Shamu-the-killer-whale-show) hot deserts or
extreme cold. Or social events where others may want to borrow your
camera to grab some rare moments.
Arm yourself with a single use
camera. No fuss, no risk, no worry. make a great wedding gift
of a six-pack of these cameras to distribute at the reception. The
guests will happily record their version of the celebration! Also
great for birthdays, charity events, school outing - you name it. |
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Um-Which
Lens?!? (Did I Do That...)
If your camera
has a zoom lens, watch how you use the wide-angle setting, avoiding it
for close-in people shots as it will make foregrounds appear
larger. Nobody will thank you for supersizing their nose!
If you only have a wide-angle lens
(less than 50mm) available, you can still do a portrait if you back up
and then have the lab crop the image to a portrait when it's time to
print.
The lens rule: Wide-angle (less
than 50mm) is great for landscape and architecture. Short
telephoto (70-135mm) is best for portraits. Long telephoto
(200mm and up) perfect for sports, wildlife, etc. Photography is as
much an art as it is science - you should experiment to find which
lens suits your style. |
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Change The World. At Least Your View Of It.
Color filters
are used to enhance and change the mood of your photographs. Today's
single reflex lens cameras (SLR's) calculate exposure settings
automatically so you can just choose a filter, screw it onto the
filter holder and you're ready to shoot.
If you're using a point-and-shoot
camera that does not have a filter attachment you can simply
hold a filter in front of the lens while taking you photo to get
results like our sample photo.
No filters? Try holding sunglasses
in front of the lens! Just make sure you don't have your
fingers or sunglasses frame over the camera lens area (oops!)
and for best results use print film. |
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Turn Your Camera No - Not The Other Way!
Now listen up! The idea is to fill as
much of your viewfinder with your subject as possible. Extras stuff
in the background doesn't add much to the story so size up the
situation and if you don't need a wide (or landscape) frame,
turn your camera on its side to get a vertical (or portrait)
frame.
An easy rule is to use landscape
(horizontal) for groups of people, and use portrait (vertical) for a
single person or two people close together. Always remember that
closer in is better and keep your subject's head(s) just below the
top of the viewfinder. It doesn't hurt to give a little direction,
such as "closer together" or "on the count of three, say..." Just
make sure you're ready for the shot! |
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Where's The Sun? Must Be Portrait Day
We tend to think
more about grabbing the camera on a sunny day. But did you know that
overcast or foggy days are great for shooting outdoor
portraits? Contrary to popular belief, overcast days provide
excellent lighting for this type of photography because it is soft
(no hot spots or glare) and does not create hard shadows.
Best film to use is 100-200 ISO
film or "portrait" film and a shallow depth of field. For automatic
cameras select the "person" or "portrait" setting. Remember to get in
close to the subject so that their head and shoulders fill the frame.
And when you've snapped that perfect shot you might want to consider
wallet size extra prints or enlargements for framing. |
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Near And Far...Yes, You Can Have It All
For landscape photography, depth of
field (the distance between foreground and
background) is an important consideration. Most photographers want
their landscape photos to be sharp and in focus from the foreground to
the distance - like our sample.
To achieve this type of sharpness the
automatic mode selected on your camera would be "aperture priority"
(often denoted as a flower symbol). In this mode your shutter
speed will be slower than normal allowing your film more time
to grab all that information. Long exposures can be blurred by
camera shake, so place your camera on a tripod and use the
self-timer to trip the shutter. Beautiful! |