High Noon is only for cowboys Be prepared at all times Pick a prop Be careful with that camera
Change the world... Where's the sun? Keep it simple for big results See eye to eye
Fill flash to be precise Um...which lens? Turn your camera! Near and far.


High noon is only for cowboys!

Timing is everything when you're shooting and unless you're in an Old Western, you'll avoid high noon...

But seriously, the time of day you take your pictures can make a big difference in the results you get.  For photos at the beach or around water, the best time is early morning or late afternoon.  At these times the light is "warmer" (more orange) adding a nice healthy glow to skin tones. (It's a science thing...)

Mid-day sun can be harsh and unflattering, but if you must shoot at noon, find a shady spot under a tree, or maybe a porch or canopy.  Those "lazy hired hands" can stand to the side and hold a piece of white board or a white pillowcase to reflect light back  to your subject and fill in the hard shadows.

Keep it Simple for Big Results

Clutter in the background of your photos detracts from the main subject.  Look for simple backdrops, away from other people when possible (or move in close to eliminate extra people).  Watch out for things "growing out" of your subject's head from the background - such as lampposts, telephone poles, trees or branches.  A backdrop of a brick wall, the side of a barn, a sand dune or a big leafy bush can make interesting but calm setting for well composed portraits.

If you don't have a clean background try moving in close to fill your view finder with your subject, leaving only a little of the background to give a flavor of where the shot was taken.

Be Prepared At All Times

Time after time the best shots of kids are taken when kids are doing what they do best...being kids!  With the compact size of today's point-and-shoot cameras there's no excuse for leaving your camera behind.

If you're off to the beach, a picnic or rafting...keep your camera in a zip-lock style poly bag to help protect it from water or sand damage or other hazards like pop spills, dribbly ice cream, snowballs...

For best all around photo results, use 200 or 400 speed color print film to cover most situations and keep up with those "quick! snap that!" magical moments.  If you're not sure which film to use (or have other questions), ask your photo lab counter person for recommendations.

See Eye To Eye For Happy Endings

We all have the tendency to "shoot from the hip" - this is: stand up, put the camera to our eye and click.  But all too often we miss the best view, especially with scenic shots, because we didn't experiment.

Next time you're ready to shoot consider kneeling, sitting or even lying down for a better perspective.

For people shots avoid the tendency to stand above your subjects (especially with children).  Get on eye level, even if it means crouching way down - it'll make the photo feel more personal.   Standing above your subject will make them look less significant while shooting from below will make them look more important.  Try out both these effects but you'll find eye level consistently works best.

Pick A Prop And Score Big Points

It's not unusual for people to squirm when they're faced with a camera lens, so give them something to do that makes them feel more comfortable.  Just having something to hold or pose with can make a big difference.  On the slopes, have you subjects hold their boards or skis.  At the beach give children a bucket and shovel or a big beach ball to show off.  You can have fun with props such as hats, ice cream cones, flowers, whatever.  The family pet usually doesn't mind getting into the album too.

Remember, anything you can do to make your subjects more relaxed will lead to more natural photographs.  And don't always demand a smile.  A serious face sometimes tells a better story...
 

Actually It's Fill..Fill Flash To Be Precise

A trick used by professionals to eliminate contrasty shadows on sunny days.

For instance, when strong sunlight is directly above your subject you'll see dark shadows cast in the eye area and under the nose, lips, chin, etc.  When the sun is behind your subject their whole face can be in shadow.  Not very flattering.  But easily fixed...

Use the manual flash mode on your camera to make the flash fire even in bright sunlight, and you'll get rid of those distracting shadows.  By staying ten feet or closer to your subject your flash will be strong enough to overcome or "fill" in those hi

Be Careful with That Expensive Camera!!!

There are places and events to which you may not want to take your camera for fear of subjecting it to harmful elements.  Snow skiing, salt water locations, any water (like the first 10 rows a Shamu-the-killer-whale-show) hot deserts or extreme cold.  Or social events where others may want to borrow your camera to grab some rare moments.

Arm yourself with a single use camera.  No fuss, no risk, no worry.  make a great wedding gift of a six-pack of these cameras to distribute at the reception.  The guests will happily record their version of the celebration!  Also great for birthdays, charity events, school outing - you name it.

Um-Which Lens?!? (Did I Do That...)

If your camera has a zoom lens, watch how you use the wide-angle setting, avoiding it for close-in people shots as it will make foregrounds appear larger.  Nobody will thank you for supersizing their nose!

If you only have a wide-angle lens (less than 50mm) available, you can still do a portrait if you back up and then have the lab crop the image to a portrait when it's time to print.

The lens rule: Wide-angle (less than 50mm) is great for landscape and architecture.  Short telephoto (70-135mm) is best for portraits.  Long telephoto (200mm and up) perfect for sports, wildlife, etc.  Photography is as much an art as it is science - you should experiment to find which lens suits your style.

Change The World.  At Least Your View Of It.

Color filters are used to enhance and change the mood of your photographs.  Today's single reflex lens cameras (SLR's) calculate exposure settings automatically so you can just choose a filter, screw it onto the filter holder and you're ready to shoot.

If you're using a point-and-shoot camera that does not have a filter attachment you can simply hold a filter in front of the lens while taking you photo to get results like our sample photo.

No filters?  Try holding sunglasses in front of the lens!  Just make sure you don't have your fingers or sunglasses frame over the camera lens area (oops!) and for best results use print film.

Turn Your Camera No - Not The Other Way!

Now listen up!  The idea is to fill as much of your viewfinder with your subject as possible.  Extras stuff in the background doesn't add much to the story so size up the situation and if you don't need a wide (or landscape) frame, turn your camera on its side to get a vertical (or portrait) frame.

An easy rule is to use landscape (horizontal) for groups of people, and use portrait (vertical) for a single person or two people close together.  Always remember that closer in is better and keep your subject's head(s) just below the top of the viewfinder.  It doesn't hurt to give a little direction, such as "closer together" or "on the count of three, say..."  Just make sure you're ready for the shot!

Where's The Sun? Must Be Portrait Day

We tend to think more about grabbing the camera on a sunny day.  But did you know that overcast or foggy days are great for shooting outdoor portraits?  Contrary to popular belief, overcast days provide excellent lighting for this type of photography because it is soft (no hot spots or glare) and does not create hard shadows.

Best film to use is 100-200 ISO film or "portrait" film and a shallow depth of field.  For automatic cameras select the "person" or "portrait" setting.  Remember to get in close to the subject so that their head and shoulders fill the frame.  And when you've snapped that perfect shot you might want to consider wallet size extra prints or enlargements for framing.

Near And Far...Yes, You Can Have It All

For landscape photography, depth of field (the distance between foreground and background) is an important consideration.  Most photographers want their landscape photos to be sharp and in focus from the foreground to the distance - like our sample.

To achieve this type of sharpness the automatic mode selected on your camera would be "aperture priority" (often denoted as a flower symbol).  In this mode your shutter speed will be slower than normal allowing your film more time to grab all that information.  Long exposures can be blurred by camera shake, so place your camera on a tripod and use the self-timer to trip the shutter.  Beautiful!